On October 31st Channel 4 announced that it
would open a new national Head Quarters in Leeds with two “creative hubs” in
Glasgow and Bristol.
This is all part of a larger plan to make
Channel 4 less London-centric and more representative of the UK as a whole. By
2023 it plans for at least half of its programme spend to be used on
productions based outside of London, up from 35% currently and an increase in
money terms of £250m.
So what will this mean for ethnic diversity
behind the camera?
I understand that fears were raised within
Channel 4 that ethnic diversity could dramatically fall - because London has a
significantly higher Black Asian and Minority Ethnic (BAME) population than other
areas in the UK. Just compare London’s BAME population of 40% to those in the
new Channel 4 headquarters and hubs:
Leeds with a BAME population of 15%;
Bristol with a BAME population of 16%;
Glasgow with a BAME population of 12%.
And Channel 4’s fears are well founded. Back
in 2006, when the BBC implemented a policy to increase the number of programmes
it made outside of London, the number of BAME people employed in the industry
fell from 7.4% to just 5.4% by 2012.
However, this doesn’t have to happen for
Channel 4. Having worked at the BBC in London for 14 years, Manchester for 1
year and Glasgow for 8 years, I have firsthand experience that the relationship
between geography and ethnic diversity is a complex one.
Here are some more statistics to prove my
point:
12.9% of directors of the BBC soap Casualty
are BAME, while only 1% of directors of EastEnders in are BAME.
EastEnders is filmed in London (40% BAME) while
Casualty is filmed in Cardiff with a BAME population of only 15%.
When I was an executive producer of current
affairs in Glasgow I consistently employed proportionally more BAME people in
positions of editorial responsibility behind the camera (researchers, APs and
producers) than my counterparts in London. Not only through BBC staff but also
with indies.
It was also not unusual for production
managers in London to call me for recommendations if they were looking to widen
the diversity of candidates applying for a job. Despite them being in a city
with a 40% BAME population and I being in a city of 12%.
And I am not the only Scottish based exec
with this type of experience. I was recently talking to the executive producer of
the BBC4 monologues “Snatches” which marked the 100 year anniversary of British
women gaining the right to vote. While it was widely publicized that over 90%
of the production crew were women, what is less well known is that approximately a third of the
people working behind the camera were from a BAME background, with 50% in key positions such as directors and screenwriters.
The monologues happened to be filmed in
London but it was the commitment of the execs to diversity that made this
happen. The geography of where it was filmed was not the determining factor.
So does that mean there is NO link between
ethnic diversity behind the camera and where a production is located?
I wouldn’t go that far.
Indeed, for the black community London is
unique in the UK. Almost 60% of the black British community is based in London.
This means that there are support structures and family ties that give London a unique pull on black British people working in the creative community.
As an executive producer I had to recognize
these kinds of factors when trying to increase ethnic diversity in the Nations
and regions. But it was and is not impossible. People will (and can be
persuaded to) move for all sorts of factors, and local BAME talent outside of
London exists and are eager for the opportunities to work.
So what does this mean for Channel 4’s new
move?
First, geography does matter. I am a firm believer in regional diversity and if we
want to represent the whole UK we must move productions outside of London. So
this is a great and welcome move by Channel 4. But winning on one type of
diversity doesn’t mean we should drop the ball on another type.
Second, the experience of the BBC has shown
that if you are not careful moving from an area with a high BAME population to
one with a low BAME population can have a terrible effect on the ethnic
diversity behind the camera.
But third and most importantly my experience
has taught me that as an executive if you have a firm commitment to increase
diversity you can do it wherever you are based.
Channel 4, geography is not destiny. You
can do this!
Good Luck,
Marcus Ryder






