What is the most important statistic when
it comes to ethnic diversity in television?
How many Black Asian and Minority ethnic
(BAME) people are employed in television productions?
How many BAME people are in managerial
positions at the different broadcasters?
What is the percentage of programmes
directed by BAME directors?
These are all important statistics and are
measured, (some badly and some well), in one form or another. But increasingly
I believe that the most important statistic that can give us a measure of how
well ethnic diversity is doing in the TV industry is one we are not even
attempting to measure:
How many independent production companies
are being managed by BAME people or have BAME people in significant positions
of responsibility.
Let me explain why this one stat is so
important.
In 2007 I moved to Glasgow to restructure BBC
Scotland’s current affairs department as the BBC embarked on increasing the
number of network programmes produced outside of London. Part of that process
was building and nurturing the indie sector in Scotland. Regional diversity
needed thriving independent production companies and couldn’t just rely on the
BBC in-house productions to be successful.
There are now 124 TV
production companies based in Glasgow alone. The high number of indies was used
when the city successfully pitched to become a regional hub for one of Channel
4’s new out of London production bases.
People working in television in Scotland
need to know they can set up independent companies and have a reasonable chance
of success and gain commissions.
A business environment that does not
support private businesses is failing and will hinder the careers of the most
ambitious.
The fact is the health of the TV industry
in a certain area cannot be measured solely just by how many people are
employed in it, as they might for example, all be employed just by one company
or on one large production, and that makes it very vulnerable in the long run.
Also in my experience regionally based
indies are brilliant incubators for nurturing talent and provide an essential
critical mass of people working for them to build up local networks and connections
which prove important throughout people’s careers.
Finally the success of regional indies is a
good barometer of how well connected channel execs are with people outside
of London – whether we like it or not many commissions come about due to
personal connections.
So if Scottish indies are doing relatively well
– indicating healthy regional diversity - the obvious question is how are BAME
independent television companies doing?
The answer is they are not doing very well.
Televisual magazine publish a list of the top
100 independent television companies every year along with the names of
people in key positions in those companies.
Of the roughly 300 names listed I could
only find 6 people of BAME backgrounds in key positions (yes - I Googled everyone).
And only one of the indies listed could possibly be thought of as a “BAME-led” company
- Voltage TV whose CEO and Managing Director are both Asian. (So yes if you do
the maths of the remaining 99 companies I could only find four people of colour
in key roles)
There have been attempts by broadcasters to
address the diversity of indies, Channel 4’s “Alpha
Fund” champions “BAME-led” indies but it has had limited success if one
judges it against the criteria of whether any of these indies have been able to
break into the top 100 indies list.
The fear is that the lack of BAME-led
indies points to bigger failures of BAME people throughout the television
industry; from weak relationships between commissioners and BAME-led companies, to BAME-led companies being stereotyped and only being commissioned to produce programmes about "diverse" issues.
There are successful BAME indies (Maroon Productions,
Sugar Films and Douglas Road Productions spring to mind - and there are others) but these are the
exception as opposed to the rule. If there was the same dearth of women led
indies or regionally based indies it would be recognized as a crisis. The lack
of successful BAME-led indies is no less a crisis which the whole industry
needs to address.
We need to think beyond simple head counts
and start looking at BAME-led indies.
I'm just thinking that the above analysis/story would look very similar if applied to the current music industry...
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