Just over a week ago Ofcom (the body that regulates
British television) finished its consultation
process on how the industry should define whether a programme is made outside of London.
Creating a definition is more complicated than you might think.
Creating a definition is more complicated than you might think.
Ofcom’s current
definition is almost ten years old and there are concerns that production
companies are effectively “gaming the system”. For example some
London based production companies are thought to be “opening” satellite office
outside of London to claim they are “regional” just for one programme and then “closing
down” immediately after the programme is completed or that key production
talent living in London are shipped out of London to a hotel just for a few
months.
It is also important to recognize that it
is not only production companies who "game the system", there are also the
concern that some broadcasters might be intentionally “turning a blind eye” to
productions which they know are not really “regional” so they have more freedom
to commission whoever they want.
Creating a definition evefryone has to abide by is important because the major UK broadcasters all have to produce a certain percentage of their programmes outside of London. So being able to define what qualifies as an “Out of London” production is essential.
Creating a definition evefryone has to abide by is important because the major UK broadcasters all have to produce a certain percentage of their programmes outside of London. So being able to define what qualifies as an “Out of London” production is essential.
Ofcom first came up with a definition following the 2003 Communications Act which protects TV productions outside of London.
Although many people think the current definition has its flaws (hence Ofcom is updating it) having an agreed definition has been essential in measuring how well broadcasters are doing in meeting their license agreements.
When there isn't an agreed definition broadcasters can simply make up a definition that suits them and they can claim to be making progress when in reality they are not making progress at all.
This is the fear that this is exactly what is happening to TV diversity right now.
Although many people think the current definition has its flaws (hence Ofcom is updating it) having an agreed definition has been essential in measuring how well broadcasters are doing in meeting their license agreements.
When there isn't an agreed definition broadcasters can simply make up a definition that suits them and they can claim to be making progress when in reality they are not making progress at all.
This is the fear that this is exactly what is happening to TV diversity right now.
How will we know if the broadcasters are
really increasing diversity or just creating a definition that suits them and then claiming success?
Currently Channel 4 has a two
tick system (where productions must be able to tick two different criteria
from a complicated list) to qualify as “diverse”.
Channel 4 also talks about championing “BAME-led-indies”
but does not make it clear what its definition of a “BAME-led-indie” is. Is it
the ethnicity of the CEO, board members of percentage of shareholders, or
something else?
BBC is even vaguer with its definition of “diversity”.
It implicitly has one as Danny Cohen (when he was Head of Television)
told a Parliamentary Select Committee that the BBC was going to ring-fence
15% of its development spend on diverse productions – so he must have known
what did and did not qualify as a diverse production. But there did not seem to
be a clear definition publically as to what was and was not a diverse
production.
At the same time the British
Film Institute has a three tick system, similar to Channel 4, to decide
whether a production is diverse or not.
There is no industry standard definition. And
as far as I am aware none of the broadcasters conducted open public
consultations on how to define diversity.
In short the whole thing is a bit of a
mess.
They are all defining "diversity" themselves and then surpise surprise most of them are doing really well according their own made up definition.
They are all defining "diversity" themselves and then surpise surprise most of them are doing really well according their own made up definition.
It is precisely for these reasons that a
lot of people interested in increasing diversity in the media are now calling on
Ofcom to do exactly what it has done for regional diversity and conduct a
public consultation and create an industry standard definition.
And it is not just the usual suspects like Sir
Lenny Henry calling on Ofcom to do this.
The Mayor of London Sadiq Khan, the mayor
of a city with a 40% BAME population,
has openly written to Ofcom telling them it is essential for them to define
diversity.
Scotland’s First Minister Nicola Sturgeon
also wrote
to Ofcom “urging” them to create an industry wide definition - drawing
parallels between defining BAME diversity and “what constitutes a Scottish
production”.
Ofcom has been charged with ensuring that
the different broadcasters increase their diversity but as Nicola Sturgeon said
“Targets are unlikely to be met in the absence of robust definitions”
As someone who worked in Scotland for eight
years I applaud Ofcom tightening the rules around what qualifies as an “Out of
London” production because as an exec producer I saw firsthand how production
companies and commissioners sometimes played fast and loose with what should
and shouldn’t be counted as an out-of London production.
But as someone who also cares about
diversity of women, disabled people and BAME people working in the industry I
believe Sadiq Khan, Nicola Sturgeon and others are right that Ofcom now need to
define “diversity” in the TV industry.
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